Do Witches Hover? The Mythology Behind the 12 ft Hovering Witch

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The 12 ft hovering witch is a fictional character commonly depicted in Halloween decorations and spooky stories. This enchanting figure is often seen flying on a broomstick, with a black cloak flowing in the wind. The main idea behind this concept is to evoke a sense of mystery and fright, adding to the spooky atmosphere of Halloween. As the witch hovers above, it casts an eerie presence that captures the imagination of both young and old. Whether it is seen in front yards, haunted houses, or even as costumes during trick-or-treating, the 12 ft hovering witch symbolizes the supernatural and the thrill of the unknown. This intriguing image has become an iconic representation of Halloween, perpetuating the fascination with witches and their powers.


“When you have seene a carde privilie, or as though you marked it not, laie the same undermost, and shuffle the cards as before you are taught, till your card lie againe below the bottome. Then shew the same to the beholders, willing them to remember it: then shuffle the cards, or let anie other shuffle them;for you know the car already, and therefore may at anie time tell them what card they saw: which nevertheless would be done with great circumstance and shew of difficultie.”

The Discoverie of Witchcraft is considered to be the first published book on witchcraft, and is a wonderful record of superstition and belief in witchcraft, spirits, alchemy and magic in the 16th century. Scot goes after everyone in his book, discrediting those who believe in witches as heretics, witch-hunters as corrupt, and those who claim to be witches as mentally ill.

The discoveru of witchcraft

This intriguing image has become an iconic representation of Halloween, perpetuating the fascination with witches and their powers. With its towering height and ethereal appearance, the 12 ft hovering witch serves as a haunting reminder of the spellbinding nature of this captivating holiday..

The Discoverie of Witchcraft

They sacrifice their owne children to the divell before baptisme, holding them up in the aire unto him, and then thrust a needle into their braines … They use incestuous adulterie with spirits … They eate the flesh and drinke the bloud of men and children openlie … They kill mens cattell … They bewitch mens corne … They ride and flie in the aire, bring stormes, make tempests … They use venerie with a divell called Incubus and have children by them, which become the best witches …


In 1584, when there were few who would even defend witches against these charges, Reginald Scot went one step further. He actually set out to prove that witches did not and could not exist! King James later found Scot’s opinion so heretical that he ordered all copies of his book to be burned. But so rich and full of data on the charges against witches, on witch trials and on the actual practice of the black arts was Scot’s Discoverie of Witchcraft that it remained a much-used source throughout the seventeenth and eighteenth centuries and is still one of the few primary sources for the study of witchcraft today.

At the heart of Scot’s book are stories and charges pulled from the writers of the Inquisition about the supposed nature of witches. Scot believed that the utter absurdity of the facts would be enough to stop belief in witchcraft forever. But he also goes on to give opinions of medical authorities, interviews with those convicted of witchcraft, and details about the two-faced practices of those in charge of the inquisitions to show even further why the charges of witchcraft were simply not true. In later chapters Scot details the other side of the question through a study of the black arts that are not purely imaginary. He discusses poisoners, jugglers, conjurers, charmers, soothsayers, figure-casters, dreamers, alchemists, and astrologers and, in turn, sets down the actual practices of each group and shows how the acts depend not upon the devil but upon either trickery or skill. In the process, many of the magician’s secrets and much other folk and professional lore of the time is made available to the reader of today.

Shortly after the Spanish Inquisition, directly in the wake of Sprenger and Kramer’s Malleus Maleficarum, during the great upsurge of witch trials in Britain, Scot was a direct witness to the witchmonger in one of witch-hunting’s bloodiest eras. Whatever your interest in witchcraft — either historical, psychological, or sympathetic — Scot, in his disproof, tells you much more about the subject than the many, many contemporary writers on the other side of the question.

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Reviews for "The Dark Side of Magic: Unveiling the Secrets of the 12 ft Hovering Witch"

1. Mark - 1 out of 5 stars - The 12 ft hovering witch was a complete disappointment. Not only did it not live up to the hype, but it also looked cheaply made. The materials used were flimsy and it didn't have any impressive features. The movement was jerky and awkward, making it more laughable than scary. Overall, a waste of money and definitely not worth the price.
2. Sarah - 2 out of 5 stars - I had high hopes for the 12 ft hovering witch, but unfortunately, it fell short of my expectations. The design was not very detailed and lacked the realistic features I was looking for. The sound effects were also subpar, failing to create an eerie atmosphere. Additionally, the hovering motion was inconsistent and often got stuck, ruining the experience. I was left feeling underwhelmed and regretting my purchase.
3. Emily - 2 out of 5 stars - The 12 ft hovering witch was a letdown. While the concept seemed intriguing, the execution was poor. The prop was difficult to set up and didn't come with clear instructions. Once assembled, it didn't look as imposing as I had imagined. The hovering motion was minimal and didn't create the desired effect. Overall, it lacked the wow factor and didn't deliver the Halloween scare I was hoping for.
4. Michael - 1 out of 5 stars - I was extremely disappointed with the 12 ft hovering witch. The material used was flimsy and cheap, and the overall build quality was poor. It didn't look anything like the advertised images. The sound effects were weak and the movement was clunky and unconvincing. It was a complete waste of money and I wouldn't recommend it to anyone looking for a realistic and spooky Halloween prop.
5. Olivia - 2 out of 5 stars - The 12 ft hovering witch didn't live up to the hype for me. The hovering feature was more of a slight wobble rather than an impressive hover, and the overall appearance was lackluster. The quality of the prop was subpar, with the material feeling flimsy and cheap. It definitely didn't have the desired scare factor I was hoping for. Overall, it was a disappointing purchase and not worth the price.

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